THE GODDESS ATHENA
Athenian Calendar
27 Hekatombaion
The Basket-carrying
(Arrephoria Festival)
28 Hekatombaion
The Panathenaea Festival
(Athena Festival)
September 13
The
Festival of Jupiter, Juno and Minerva
(Capitoline Triad Festival)
15-21 Boedromion
The Great Mysteries
(Eleusinian Festival)
7 Pyanespion
The Vintage Festival
(Oschophoria Festival)
30 Pyanespion
The Artisans Festival
(Chalkeia Festival)
March 19-24
The Mars and Minerva Festival
(Quinquatrus Festival)
25-27 Thargelion
The Cleansing Festival
(Plynteria and Kallynteria Festival)
12 Skirophorion
The Threshing Festival
(Skira Festival)
June 13
The Festival of Minerva
(Minor Quinquatrus)
During the night preceding the Panathenaia there took place the mysterious basket-carrying (an Arrephoria), two servants leave with a locked basket. They left the Acropolis via an underground stairway which led northwest into the Aglaureion. The maidens, however, had to bend from this path eastward, and there they came upon the sacred precinct of "Aphrodite in the Garden". The cavern was a sanctuary of Aphrodite and Eros and full of cultic monuments to both of these Deities, among them stone phalluses and representations of the divine child Eros. After the maidens had returned to the sanctuary of the virgin Athena, carrying another and again mysterious burden, they were removed from service and others were chosen to replace them. (AVM 85)
The Ides (full moon) of every
month are sacred to Jupiter, as the Kalends (new moon) are to Juno.
The Festival of Jupiter, Juno and
Minerva is celebrated on the September 13, ancient Id. Sept. (full moon).
This day is an Epulum (feast)
for the Capitoline Triad (Jupiter, Juno and Minerva), so statues
of the three deities are present, dressed in festal robes, and represent
Their attendance at the feast.
The face of Jupiter's image
is reddened with minium (red lead) and He reclines on lectulus
(couch); Juno and Minerva sit on sellae (chairs).
The festival begins on the full moon
and continues to the third quarter. Ancient:15-21 Boedromion.
Preparations begin two days before
the Mysteries proper (13 Boedromion): on the 13th mounted Epheboi
(Youths) travel to Eleusis and on the 14th they accompany Ta Hiera
(the Holy Things), contained in round Sacred Kistai (boxes) bound
with purple ribbons, which are brought by wagon to Athens, where they
are received at the shrine (Eleusinion).
An official, the Phaidruntes
(Cleaner) of the Two Goddesses (Demeter and Persephone), reports
their arrival to Athena's priestess (as at the Skira, 12 Skiraphorion,
Athena's priestess pays her respects to Demeter's).
Shoots of the vine carried in a race from Dionysos' temple to the sanctuary of Athena Skira, for the grape harvest is one aspect of Her concern for the well-being of the community . This holiday was founded by Theseus when he returned from Crete.
The ultimate purpose of the Panatenaic
procession is to bring a newly woven robe or peplos to the Goddess
Athena. This peplos (robe) is begun nine months before at the festival
known as the Chalkeia.
On this day the Ergastinai
(Workers), comprising the priestess and two of the four girls between the
ages of seven and eleven known as the arrhephoroi are chosen to
begin the weaving of the robe.
The wool is placed on the loom for
the woof of Athena's new peplos (robe), which will be woven for
nine months and will be presented to Her in the Panathenaia.
The cult statue of Athena is actually
dressed in this robe, ten months later at the festival known as the Plynteria.
(WA 185)
This is a spring equinox festival
in which Mars and Minerva are honored in March 19-24 (Ancient: XIV-X Kal.
Apr.)
Though named for Mars, March is under
the protection of Minerva, and the first day of the Quinquatrus is especially
sacred to Her because it is Her birthday; therefore no bloodshed is permitted
on that day, though She likes to see martial contests on the following
days.
Ovid exhorts practitioners of every
art to pray to Minerva for knowledge and skill; here is an abridged version:
Pray now to Pallas, boys and tender girls; whoever wins Her favor will be skilled, for She's the Goddess of a Thousand Works.[LEM 207; OF III.809-34; SFR 92-4]
In the cleansing festival, Athena's
wooden image receives several kinds of attention. There are two stages,
the Plynteria, "Washing (rites)", and the Kallynteria, "Adorning (rites)".
This elaborated ceremonial cleansing
is peculiar to Athena, to the image that is both a scion of Zeus and a
talisman for the community. Statues of other deities are cherished and
solicited in many ways, but any cleaning and adorning do not constitute
a whole festival.
On 25 Thargelion, the image is undressed
and veiled, and the robe is washed.
A day or two later, on 26 or 27 Thargelion,
when the robe is dry, the image is bathed and then dressed again and adorned.
The image's "adornment", kosmos, include some cosmetic procedures,
anointing the image with oil, and adding a crown and a necklace. (WA
49)
The Skiraphoria (also known as the
Skira) occurs at the time of the cutting and threshing of the grain on
the 12 Skiraphorion.
The Priestess of Athena, the Priest
of Poseidon and the Priest of Helios go to the Skiron, a place sacred to
Demeter, Kore, Athena Skiras and Poseidon Pater, for here Athens and
Eleusis were reconciled.
Athena and Poseidon represent city
life, and Demeter and Kore represent agriculture; Helios witnesses Their
oaths (as He witnessed the abduction of Kore).
The Skiron is where, according to
tradition, the first sowing took place.A large, white canopy (called the
skiron)
is carried over the priests' and priestesses' heads during the
procession.
Read by yourself what Ovid reports about this day: (Ovid, Fasti, VI. 651-710)